Talks / Workshops


'Sounding the Stones; Intuition and the Sacred' Performance Lecture for Liverpool Hope University, Sacred Places Conference, 2017

'Decolonial Actions' with Marina Barsy Janer, Isil Sol Vil and Christine Brault. Live Art Development Agency, 2016

'Verdant Intersections: Landscape, Ecology, Poetry, Performance' Contemporary Poetics Research Centre, Birckbeck University, 2016

Crossing Borders, in conversation with choreographer Rosemary Lee. Siobhan Davies Studio and Independent Dance, 2015

"Voicing Matters: Towards an Ecology of voice, place and becoming" Paper for 'Performance, Ecology, Responsibility’ symposium, Canterbury Christ Church University, 2015

“Towards an Ecology of Language” Generative Constraints Conference, Royal Holloway University Research Unit, 2013


Poetry and Non-Fiction


'The Performer in Live Art' in The Live Art Almanac; Volume 4. Ed. Keidan, L. Wright, A. Curtis, H. (Written 2012, published 2016.)

‘Tintern Abbey’ and ‘River Source’ The Interpreter’s House. Spring 2014.

‘The Ancestors who Never Left’ PEN Atlas, Nov 2013.

'Decolonising the Feminine; Idle No More’ Earthlines, Nov 2013.

'Wolf Island’ Under the Radar, Nov 2013.

‘Speaking Bodies, Storied Land’; shortlisted for the Earthlines Essay Prize, 2013.

‘Why Matter Matters; looking at material agency in the poetics of Elisabeth Bletsoe’. Tears in the Fence. Nov Issue 2012.

'Dusk Sonnet' Bath Literary Festival Magazine. Feb 2012

‘Re-imagining the Space Between’ Dispatches From The Invisible Revolution; New Public Thinking 1: Reflections on 2011. Jan 2012.

I was co-editor of Earthlines Review in 2013. You can find the print magazine here:

I’ve been a writer-in-residence for SPILL Festival of Performance, 2012, 2013; Bristol’s Mayfest, 2013; commissioned by In Between Time, 4 Days, Fierce Festival, This is Tomorrow, SARMA: Laboratory for criticism, dramaturgy, research and creation. I am currently part of Live Art Development Agency's Writing Group with Maddy Costa, Diana Damian and Mary Paterson.